Santa Barbara: Capra Press, 1979. First paperback edition, 8vo, pp. 126, 6 full-page illustrations by Miller in the text; a very good copy in original pictorial wraps, inch-long scrape to spine, some scattered minor brown spotting to wraps. Miller reminisces affectionately about his long-time friend, Alf, and thirteen women who..... More
London: Weidenfeld and Nicolson, 1963. First British edition, 8vo, pp. 571; spotting to fore and top edges, small tear at top of pages 561-571, back panel of dust jacket adhered to flyleaf, else very good. Shifreen and Jackson A83k. More
London: Printed for M. Cooper, 1771. 12mo, pp. v, [1], 281; full contemporary calf, faded gilt spine separated into 6 compartments, red gilt morocco label; boards and hinges rubbed; lacking front flyleaf, top quarter of back flyleaf excised; title page edges toned, shallow tears along bottom edge and bottom 2..... More
Tübingen: Max Niemeyer, 2001. First edition, thick 8vo, pp. xiv, 845; map endpapers, maps in the text; fine copy in a slightly worn dust jacket. A collection of 79 articles by 45 authors, on Frisian language, its dialects, and literature, about half of which are in English. More
New York: George Long, 1826. Square 8vo, pp. liv, [454]; text in triple column; light foxing; contemporary full calf, red morocco label on spine; lightly rubbed, else very good. Includes an introduction to the French grammar by J. Ouiseau and lists of proper names in French and English. The earliest..... More
New York: J.S. Redfield, 1850. Together with The Works of Edgar Allan Poe, Vol.3: The Literati: Some Honest Opinions about Authorial Merits and Demerits, with Occasional Works of Personality. Together with marginalia, suggestions, and essays...With a sketch of the author by Rufus Wilmot Griswold. New York: Redfield, 1850. Together with..... More
Paris: Imprimerie Nationale, 1903. First edition, 4to, pp. xxxv, [1], 436; 40 sepia-toned heliogravure plates; original printed front wrapper bound in; ca. 1968-72 native Vietnamese full blue calf, gilt lettering on gilt-decorated spine; near fine. More
[Stockholm]: Midnight Paper Sales, 2004. Edition limited to 146 copies, this beng on of 26 lettered copies (letter 'G') signed on the colophon by Gaylord Schanilec and his brother, Clayton; 12mo, pp. [6], 19, [4]; folding color panorama engraved in Resingrave, two-color wood-engraved vignette on title page by Gaylord Schanilec;..... More
Edinburgh: Archibald Constable; London: Hurst, Robinson, 1820. First edition, first issue, with press figures conforming to those outlined by Todd & Bowden; 3 volumes, 8vo, pp. [6], xxxiii, [1], 298; [4], 327; [4], 371, [1], 3 (ads); contemporary maroon calf-backed marbled boards; top 1" of spine of vol. 1 gone;..... More
London: John Hatchard, 1806. Second edition, 4to, pp. xv, [5], 531; fine engraved portrait frontispiece, plate of facsimile handwriting, errata slip tipped in at p. 1; clean tear in p. 211; mild foxing throughout; good, sound copy in orig. marbled paper-covered boards, neatly rebacked with new paper label on spine..... More
[Alabama]: Livingston Press, [2006]. First edition, 8vo, pp. [6], 177, [1]; very light crease to the first dozen pages; fine in a fine pictorial dust jacket. Inscribed by Simms to the poet John Rezmerski on flyleaf. More
London: T. Cox, 1743. Folio, pp. [2], vi, 979, [17] index and table; title-p. printed in red and black; text browned throughout; mid-20th century black cloth, black cloth label lettered in gilt on spine; aside from the browning, a very good, sound copy, untrimmed. More
New York: Other Scenes, 1971. First edition, 4to, pp. [124]; profusely illustrated throughout with b&w photographic portraits, candids, and reproductions of Warhol works; minimal wear to extremities with bottom forecorners ever so slightly bumped but still a fresh, near fine copy in original stiff b&w photographic wrappers. Interviews with friends..... More
[New York: Telephone Books, 1972.]. First edition limited to 300 copies, 4to, [49] leaves printed from typescript on rectos only; original pictorial front wrapper by Denise Green; side-stapled; light toning, near fine. Published through the cooperation with The Poetry Project at St. Mark's. More
