Harper Woods: Adagio Press, [1972]. Edition limited to "approximately" 300 copies signed by Bahr (this, no. 46); 8vo, pp. [24]; printed in ochre and black; original ochre printed wrappers, publisher's printed mailing envelope with this title on the address panel; fine. Original prospectus laid in. A printer's thoughts on various..... More

[Harper Woods, MI]: Adagio Press, 1964. Edition limited to 275 copies, 16mo, pp. 7, [1]; printed in ochre and black; fine in original tan printed wrappers. Lundeen 8. More

Harper Woods: Adagio Press, 1963-65. Limited to 96 sets, printed octavo envelope (slightly worn) containing 1) An introduction to the Adagio Press, 1/475, 1963; 2) A Tribute to Anton Bohm and his Work at the Sans Souci Press, 1/275, 1964; 3) The Spirit of Liberty: an Address by Judge Learned..... More

[Harper Woods, Michigan]: Adagio Press, n.d., [1967]. 12mo, pp. [16]; a yearly calendar, a page a month, ruled throughout; fine in original cream wrappers; fine. From the library of Kim Merker. The title page bears a quote from Henry Lewis Bullen acknowledging the art of typography. Bahr's calling card printed..... More

Birmingham: John Baskerville, 1765. Eighth (first Baskerville) edition in English, (first published Aberdeen, 1676); 4to, pp. [14], [ii]-xiii, 504, [16]; with the errata leaf as part of the preliminaries which is "frequently missing" (Gaskell); original blue paper-covered boards, uncut and partially unopened; neat cream paper rebacking, preserving the original printed..... More

San Francisco: Grabhorn-Hoyem, 1968. Edition ltd. to 400 copies, oblong 12mo, [12] leaves printed recto only, printed in black & red throughout; small nick on one corner of the colophon page, else a fine copy in the original gray paper-covered boards, gilt spine. From the library of Allan Kornblum, poet..... More

New York: 1959. Edition limited to 1,000 copies designed and printed by Peter Beilenson, 8vo, pp. 44; a fine copy in original peach wrappers. Grolier 1884-1984, no. 125. More

New York & Tokyo: Weatherhill, 1983. First edition, 4to, pp. x, 317, [1]; 3 paper samples tipped in, 167 illustrations, including 90 photographs. A fine copy in original brown cloth, gilt-stamped on upper cover and spine, dust jacket a touch faded at spine. From the library of Kim Merker with..... More

Omaha: Abattoir Editions / University of Nebraska, 1985. Edition limited to 200 copies (this, no. 6) printed by Harry Duncan on Kochi paper from Bembo and Romulus types; 8vo, pp. 47, [1]; title page in yellow and black, initials printed in yellow; original olive cloth, printed paper label on spine;..... More

Lincoln, [Mass.]: Penmaen Press, Ltd., [1980]. First edition, 8vo, pp. 62, [2]; printed in green and black; fine copy in a fine, unclipped dust jacket. From the library of Allan Kornblum, poet, fine press printer, and publisher who founded Coffee House Press. More

Oxonii: e typographeo Clarendoniano, 1763. 8vo, pp. [4], 676; printed in beautiful Greek types throughout; contemporary full calf, rubbed at edges, rebacked ca. early 20th century, and preserving the old red morocco labels, scuffed. Engraved bookplate of Earl Cornwallis. This is the only book printed in the Greek type that..... More

Muscatine, Iowa: The Prairie Press, 1937. First edition limited to 225 copies, signed by Bass on the half-title page; 8vo; pp. [10], 13-72, [2]; title page printed in red and black; fine copy in original red cloth with printed paper label on upper cover, torn original glassine jacket. From the..... More

[Newtown]: Bird & Bull Press, 2000. Edition limited to 150 copies, 13 leaves plus enrgraved title sheet; fine, encased in a plain paper folder. Morris had originally intended for Gaylord Schenilac to provide the engravings for his book The foresters, but he ended up so pleased with Bates' work that..... More