Newtown: Bird & Bull Press, 2001. Edition limited 170 copies, this the bookbinder Greg Campbell's copy, Campbell-Logan Bindery, and out-of-series; pp. 197, ; illustrations, facsimiles, photos, and samples tipped in; original quarter morocco, leather spine label, Japanese cloth over boards, cover stamped in gilt; prospectus laid in. In a cloth covered clamshell box with leather spine label. Fine. The gilt Japanese titling on the upper cover has been stamped upside down. Sid Berger called us a day or two after we'd catalogued this book and gave us the story. The entire edition was bound with the Japanese text on the cover upside down. When Morris received the book he was, shall we say, disturbed, and sent the entire edition back to Campbell-Logan where the book was stripped of its cloth cover and the error corrected. Berger tells me that only 3 of the edition still have the original binding with the upside down text: his, Henry Morris's, and this copy from the chastened binder. The first 4-volume set of Tindale's Handmade Papers of Japan is one of the finest books on Japanese papermaking published. This edition expands the text and includes a number of full page illustrations, color photographs, and 7 paper samples tipped in. Forty-Four A66.
January 29, 2019 eList: Asia
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Kochi-shi: Kochi-ken Tesuki Washi Kyodo Kumiai, 1990. Edition limited to 500 copies; 2 volumes, small folio, pp. , 106, xiv, ; , 5, , followed by 150 leaves with tipped-in paper samples, each with descriptive text in English and Japanese, ; all on double leaves and bound in original brown wrappers in the Oriental style, printed paper labels on upper covers; volume I contains 8 pages of color photographs, and additional black & white photographs throughout the text depicting the papermaking process, as well as a summary of the text in English; contained in a dark blue folding case with thongs and a printed paper label on the upper cover, and the whole in a black cloth clamshell box with paper label on spine. Published by the Japanese Handmade Paper Association.
North Hills: Bird & Bull Press, 1981. Edition limited to 250 copies (this, no. 112), 8vo, pp. 87, , 12, ; 33 colorful chiyogami samples tipped in, 18 leaves of "screen paper" samples; the text is comprised of a review of a few English language books on Japanese paper (and a facsimile reprint of Henry Munroe's The Manufacture of Japanese Paper); original quarter black oasis over Japanese block-printed Kyo Katazomegami paper by Gray Parrot , teal morocco label on spine; fine. Thirty A32.
Newtown: Bird & Bull Press, 1984. Edition limited to 500 copies (this no. 223), 4to, pp. x, 43, , followed by a facsimile of the Parkes report, 19 facsimile water colors (depicting 20 figures), and facsimile leaves of the papermaking manual Kamisuki chohoki; original maroon morocco-backed decorative paper-covered boards, black morocco label on spine. Accompanied by a separate folio with an extra suite of the 19 watercolors; together in the publisher's slipcase; fine. Henry Parkes was sent to Japan to survey the Japanese paper-making process in 1869. The paintings included were commissioned specifically for this report and were likely copied in part from Kamisuki chohoki. Thirty A38.
[Tokyo: Kinrindo, 1883]. 12mo,  leaves printed and sewn in the Japanese manner; xylographic illustrations in text throughout; original black wrappers, printed and manuscript labels on upper cover (the former partially perished); wrappers a bit worn, string partially perished. Illustrated with two annotated facial diagrams and 8 portraits depicting various facial characteristics. Preface dated Tenpo 11 (1840). National Diet Library only in OCLC as of June, 2014.
[n.p.], [n.d.] (circa 1855). Colored woodblock diptych approx. 35 1/2 x 24 cm; 2 small worm holes on inner margins, otherwise fine and bright. An extrememly unusual and beautifully-colored Ukiyo-e print featuring Japanese men and women grinding spice under the eye of a Westerner. The only other copy located is at the Boston Museum of Fine Arts. Title translates as "We're all in this together" or "Currying favor in this world"
n.p. Meiji 10, . Color woodblock diptych of children playing at Tug o' War, notable for the inclusion of two western children, each part of the dyptich approximately 14½ x 9¾ inches (14½ x 19½ overall), printed in red, yellow, green, blue, gray and black, showing 5 figures on each side of the battle, one waving a Japanese flag, and two western "overseers."
Kyoto: Kyoto Hanga-in Co., Ltd., [n.d.] (circa 1950). 11 1/2'x9'; woodblock prints; 6 leaves of plates in color illustrating Japanese proverbs, without the expalanatory leaf, minor soiling and edgewear, else very good in paper-covered pictorial boards, tied with string. Reproductions of prints by the painter Iwasa Matabei (1578-1650) from the Ohtsu region of Japan, known for his Satirical Paintings.
[Tokyo]: Ryoko Do, 1907. 36 x 24 1/2 cm; Japanese color woodblock print, Meiji 40, Japanese text on upper and side margins; minor chipping along edges, small pearl-sized hole near upper corner, else very good. Omocha-e print of various toys: dolls, rocking horse, animals, ship, trolley, swords, and instruments to name a few.
[Tokyo]: Ryoko Do, 1903. 36 x 24 1/2 cm; Japanese color woodblock print, Meiji 36, Japanese text on upper and side margins; minor chipping along edges, else very good. Omocha-e print of the Japanese folklore tale of Momotaro, features rectos & versos of warrior and ogre dolls, along with their weaponry, designed to be played with, cut out and constructed into three-dimensional dolls.
n.p. n.d. . Color woodblock print, approximately 14½ x 10 inches, of an English couple beneath a running header of Japanese text. Ushitora did a number of prints of foreigners. Sometimes, as in this print, above the image, there is depicted is a list of foreign vocabulary. In top row are Japanese words, below which appears phonetic approximation of (in this case) the English pronunciation of the word.
Osaka: Shiya Chuubei, 1797. Large format fukurotoji, original blue paper covers, 5 volumes in 6, lacking the 2 appendix volumes; 144 illustrations, most double-page spreads, depicting a variety of scenes along the pilgrimage to Ise Shrine. The stitching for each volume is partially perished, except for the second part of vol. 5, which has been restitched; light wear to covers, internally clean. The Ise Grand Shrine is one of the most important sites in Shinto. It is dedicated to the sun goddess Amaterasu and is one of the oldest religious sites in the world. Pilgrimage to the shrine has been heavy and consistent since at least the early 18th century, with many hundreds of thousands of people visiting per year during that time. This illustrated guide records the various scenes of the pilgrimage, which was undertaken by the rich and poor alike, and depicts raucous street scenes, religious rites, court images, battles, and landscapes.
1932. Scrapbook, 12" x 9", pp. ; invitations, calling cards, 15 hand-illustrated dinner place cards with the names of Chinese ladies, dinner menus (both handwritten and printed), 63 mounted photographs, and an assortment of postcards, all from 1931-1939, with the majority from 1932. The contents have been removed from 15 pages, some are loosely laid in, other loose items were included at a later date, including greeting cards from Japanese nautical companies. The majority of printed matter comes from the SS Chichibu Maru and SS Kitano Maru, and is accompanied by photographs of ship interiors, Kobe street scenes and views from Katoomba and Levra, Australia. Also included are a set of promotional photos of the Empress of Japan (1929). Some advertising and dinner menus are from other ships on the Nippon Yusen Kaisha Line. The majority of manuscript material appears to be Chinese, with dinner invitations listing the women invited, and the date and location of the event in Chinese with English translations along side them. The manuscript material refers often to a Mrs. Arthur E. Mayo, who was likely the original compiler of the scrapbook, with a few removals and additions over the years. The Kitano Maru and Chichibu Maru, on which the bulk of the material is focused, were both converted into transport ships during World War II. The Kitano Maru was sunk by a mine in 1942, and the Chichibu Maru was torpedoed in 1943.
Tokyo: Kaido zohan, 1860. First edition, later issue (with white vs. pink title page) of Fukuzawa's first book, 8vo, 104 leaves xylographically printed, and sewn in the Oriental manner, original yellow wrappers, printed paper label on upper cover; very good copy. Fukuzawa (1835-1901) "was a Japanese author, writer, teacher, translator, entrepreneur and political theorist who founded Keio University. His ideas about government and social institutions made a lasting impression on a rapidly changing Japan during the Meiji Era. He is regarded as one of the founders of modern Japan" (Wikipedia). This Japanese-English dictionary contains English, with readings and meanings in Japanese and Chinese. Osaka Joshi Daigaiku Library, Selected Catalogue of Dutch and English Studies, C-7; OCLC locates 5 copies: LC (defective), Michigan, Berkeley, Rutgers, and a copy in Australia.
New York & London: Harper & Brothers, 1903. 2 vols, tenth edition with six supplementary chapters, 12mo, pp. -324, (with 2 inserted leaves after page 10); -728; text illustrations throughout; original olive cloth a bit rubbed, both volumes leaning a bit, otherwise a good or better, sound set. The history of Japan from 660 B.C. to the twentieth century.
Philadelphia: Henry T. Coates & Co., 1902. First edition, 2 volumes, 8vo, pp. x, 377; vi, 374; folding map, 49 photogravure plates; stunning original pictorial blue cloth stamped in gilt on upper covers and spines, t.e.g.; fine bright copies, in publisher's protective cloth chemises (a bit soiled and rubbed; one with a small nick) lettered in gilt on spines. The gravure plates are beautifully produced by Gilbo & Co.
Philadelphia: Henry T. Coates & Co., 1902. First edition, 2 volumes, 8vo, pp. x, 377; vi, 374; folding map, 49 photogravure plates; original pictorial red cloth stamped in gilt on upper covers and spines, t.e.g.; spines a bit sunned, else very good. Lacking the publisher's chemises. The gravure plates are beautifully produced by Gilbo & Co.
[Japan: Early 20th c.]. Oblong album containing 157 photographs on 48 pages, dated between 1905-1940, with the majority of the photos taken in the early 1930s. A family album, with both formal and candid photos of a variety of people, including family portraits, association portraits, event photos, household scenes, and images of soldiers. A number of the images have been captioned with dates and the names of individuals or groups depicted. A few locations are also listed, such as Kamisanjimura. Some of the photos, particularly some tourist cards of Mount Koya, appear to be mass produced. The rest are either professional portraits or amateur photography developed through a variety of processes. A nice snapshot of daily life in early Showa Japan, with weddings, children, pictures of photos of the household library and a study desk, the village after a heavy snowfall, etc. The occasional photo has faded but most are clear and in very good condition, in a silver, black and gold album with minor wear.
[Japan: 1930s-1940s]. Oblong photo album, 133 photographs on 62 pages, in addition to 8 loose 11.5 x 9.25" photographs laid in; gray paper covers, title and dates written on upper cover in manuscript, with photographer’s name on lower cover. A collection of candid photos with a few formal portraits, taken by an unknown amateur, dated between 1938 and 1945, with almost every photo accompanied by annotations recording the camera used and its settings. The photographer took pictures of family and friends, tracked changes in town life with the introduction of powerlines and the new night scenes illuminated by electric power, and seemed to have been involved in the Chinese occupation at some point. Very good overall, with a couple of photos lacking, and one photo glued to another, joints starting.