London: Unicorn Press, 1897-98. Original series, volumes 1-5 [all published], small square 4to, illustrated throughout, original printed paper-covered boards; a very good set. Includes sections on art, architecture, music, and literature, with contributions by Laurence Binyon, Laurence Housman, Lucas Cranach, D. G. Rossetti, Edward Burne-Jones, Charles Meryon, and William Nicholson, among others. No. 2 contains the first appearance in print of "The Desire of Man and of Woman," a poem by W. B. Yeats [Wade p. 352]. A New Series began the following year and ran for 7 issues into 1900.
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Cambridge: Hilliard & Metcalf, 1821. 8vo, pp. 16; original drab wrappers; title page soiled and holed at the bottom, bottom inch or two of front wrapper torn away, text a little toned; a good copy. Almosat certainly for use at Harvard. Early ownership signature of E. Conant on title page. And wouldn't you know it, Edwain Conant, Harvard class of 1829, funded Harvard's Conant Hall, constructed in 1894, a prominent philanthropist from Worcester, Massachusetts. American Imprints 5225.
Edinburgh: Longman, Rees, Orme, Brown, and Green, 1829. Second edition, "brought down to the present time," thick 8vo, pp. xx, 818; 9, ,  ads; 10 folding map plates, text printed primarily in double column; full contemporary gilt-ruled calf, spine in 6 compartments, black morocco gilt-lettered spine label, tan endpapers; spine scuffed; contemporary (1837) ownership signature to title page; textblock fine.
London: Longmans, Green, 1881. Two large folding maps outlined in color, backed with linen, as issued, each approx. 32" x 42" and folding down into an octavo-sized brown cloth slipcase lettered in gilt. Very detailed map of the mountaineering regions in fine condition; slipcase a little faded at edges.
[Chicago]: The Society of Typographic Arts, 1948. Facsimile of a two-page quarto resolution, blue paper covers, text in blue, gold and black; near fine with a laid-in sheet describing the circumstances of the resolution. The original was composed by R. Hunter Middleton and Pierce Butler, and given calligraphic form by James Hayes, to be presented to Ernst's mother and sister.
London: J. Sewell, 1790. 6 parts in one volume, 8vo, pp. iv, 480, , 3; engraved frontispiece, 16 plates of views, portraits, and facsimiles, some folding; contemporary half calf, marbled paper over boards, red gilt-lettered calf spine label; ex-Minnesota Historical Society with usual markings, boards quite rubbed, paper worn away from fore edges, edges and corners bumped and worn; 2 small verticle tears to pp. 349-350 affecting text without loss of meaning, later (1819) owner's manuscript scrawlings on bfep, else interior very good.
[Oxford]: Bodleian Library, University of Oxford, . 8vo, pp. xxvii, 195, ; facsimile of B.E.'s 'A New Dictionary of the Terms Ancient and Modern of the Canting Crew', 1699 edition, with and introduction by John Simpson. A fine copy in black cloth with gilt-lettered spine, pictorial dust jacket.
Saint Paul: Marshall, 1861. 8vo, pp. 448; original green printed wrappers, back wrap torn away, small piece of pp. 447-448 torn away near top outer corner slightly affecting text, minor nicks along faded spine, corners of cover dog-eared, some soiling; else a good copy or better. Martin 378, locates only two copies.
London: Longman, [et. al.], 1861-1868. 5 (of 8) volumes, royal 8vo; ex-library copy with usual markings, some pages slightly browned, hinges cracked in vol. III, extremities and spines rubbed, some spine ends chipped and cracked, covers slightly scuffed, else good in contemporary quarter brown morocco gilt over black paper-covered boards or dark blue cloth. The first three volumes contain extracts from the historical works of Gerald du Barry, a Welsh noble and churchman of the twelfth century. He attempted to establish the independence of Wales by restoring the see of St. David's to its ancient primacy. Vol. I contains the De Rebus a se gestis, an autobiography; Invectionum libelli, a reply to calumnies circulated against him; Symbolum electorum which contains his letters and poetry; and other letters and poems. Vol. II contains the Gemma Ecclesiastica, a manual for the parish priests of Wales which presents a true and vivid picture of the Welsh clergy in the 13th century. Vol. III contains the first four books of the Invectionum libelli, a merciless attack on Giraldus' enemies; the De Menevensi ecclesia dialogus, written for Stephen Langton on the Welsh clergy; and the Vita St. David. Volume V contains the Topographia Hibernica and the Expugnatio Hibernica. The former is the result of Giraldus' visits to Ireland; his account of Irish history is unreliable, but the work is valuable for his observations of natural history. He records his own acute observations on the animals of Ireland in addition to recounting traditional medieval legends on them. The Expugnatio is poetical book of prophesy. Vol. VI contains the Itinerarium Kambriae et Descriptio Kambriae, a description of Wales and its people. In the original Latin.
London: printed for D. Brown, T. Goodwin [et al.], 1719. Second edition, with the addition of above three thousand words not in the former, 8vo, pp.  & unpaginated lexicon in double column; woodcut head- and tail-pieces, initials, and heraldic illustrations in text; a nice copy in slightly later full panelled calf, rebacked, gilt spine in 6 compartments, raised bands, lacking spine label; extremities rubbed and worn, slightly later (1782) ownership signature "Wm. Harris" on title page; textblock good and sound. In spite of the claim, Starnes & Noyes note that this edition contains "no important change… We should estimate that only about one thousand words and miscellaneous items have been added." This is the first English dictionary to make any considerable use of woodcuts; the next development in this respect does not appear until 1727, when Bailey in his Universal Etymological English Dictionary, Volume II, illustrates scientific as well as heraldic terms" (Starnes & Noyes, p. 94). Often passed off as a later edition of Blount because of its similar title and design, this dictionary, while owing a debt to Blount, is in fact a new work by an anonymous author who placed an emphasis on science, which Starnes & Noyes call "the most formative and forward-looking feature" of it. Alston V, 90; ESTC T97585; Vancil, p. 99.
London: printed for Dan. Brown [et al.], 1707. First edition, 8vo,  & unpaginated lexicon in double column; contemporary paneled calf, red morocco label on spine, sprinkled edges; imperceptibly rebacked, with original spine laid down; spine a little scuffed, else a very good, sound copy. "The first English dictionary to make any considerable use of woodcuts; the next development in this respect does not appear until 1727, when Bailey in his Universal Etymological English Dictionary, Volume II, illustrates scientific as well as heraldic terms" (Starnes & Noyes, p. 94). Often passed off as a later edition of Blount because of its similar title and design, this dictionary, while owing a debt to Blount, is in fact a new work by an anonymous author who placed an emphasis on science, which Starnes & Noyes call "the most formative and forward-looking feature" of it. In fact, pages [7-8] are proposals for printing Harris' Lexicon Technicum. Alston V, 89.